Photojournalist W. Eugene Smith changed the face of documentary photography by integrating his life into the lives of his subjects. During a career which spanned nearly four decades, Smith demonstrated a consistent drive to reveal the humanity of his subjects and to remove the distance between photographer and subject that had been integral to traditional portrait photography. Smith was a pioneer in the field of photojournalism, telling powerful stories through his photographic essays. Continue →

Les Zozios is a series of photographs of sculptures which Millet quickly assembles from objects found in his home. He approaches the work with spontaneity, taking no more than ten minutes to complete and photograph each piece. His delight in shape and color brings to mind the works of Joan Miró and Cy Twombly. Millet compares the lines of his sculptural creations to a skeleton, and suggests that the act of photographing grants it life. Continue →

This exhibition celebrates thirty years of achievement by acclaimed British photographer Michael Kenna. Included will be photographs from England, France, Russia, Czechoslovakia, as well as a new series from Japan. From Le Nôtre's formal gardens to the ominous cooling towers of Ratcliffe Power Station, to the spiritual minimalism of his most recent work from Hokkaido, Kenna's images reflect more than what is in front of the camera's lens — his intimate landscape studies preserve the emotional terrain of his subjects as well. Continue →

Robbert Flick: Trajectories traces the artist's career from 1969 to the present with selections from three seminal bodies of work: Midwest Diary, Arena, and Sequential Views. Trajectories confirms his place in a lineage of artists including Ed Ruscha, Robert Heinecken, and Cathy Opie, for whom the city of Los Angeles is an enduring source of inspiration. Continue →

Plan is one of the most significant contemporary art projects to emerge from Poland. Over the course of two years, Aneta Grzeszykowska and Jan Smaga created a series of ten highly unusual photographic prints: each piece documents the entirety of an apartment, including its occupants, from a normally unavailable perspective — from above. Continue →

Stephen Hughes is drawn to marginal landscapes, often where the urban and the natural worlds jut up against one another. Each location is carefully selected, but nothing is staged; Hughes captures unexpected moments by observing life as it unfolds before him. David Chandler examines some of these moments in his essay on the artist's work: "a family holds hands as they peer over the cliffs of Beachy Head, edging towards oblivion; the sci-fi architecture of the Atomium in Brussels looms over a young couple as they embrace in a featureless park; and a child lays prone, gazing through the glass roof of Sunderland's Glass Museum." Continue →